Tag: virtual

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The BTFC Presents Pop-Up Legal Clinic by The Filmmakers Legal Clinic

On Tuesday, April 26th at 4:00PM PT | 7:00PM ET, The Black TV & Film Collective and The Filmmakers Legal Clinic are hosting a FREE pop-up legal clinic for BTFC Members!

 

Are you interested in getting free legal advice to get your project off to the right start? The Filmmakers Legal Clinic at Cardozo School of Law is running a pop-up legal clinic for members of the BTFC.

This is a unique opportunity to meet with a student legal team in a brief, intimate setting.  Bring your legal questions on fair use, entity formation, distribution, licensing, work-for-hire agreements, and other issues.

 

Registration Details

If you’re interested in participating in this event, please RSVP. Once you finalize your Eventbrite registration you will receive a FORM to complete. (This form closes on April 15th at 11:59 PM PT). There are a limited number of meeting times available.

Filmmakers Legal Clinic

The Filmmakers Legal Clinic (FLC) at Cardozo Law provides free transactional, intellectual property, and First Amendment legal services to visual advocates, filmmakers and video journalists working to move the social justice needle and diversify the stories that are told through media.

Cardozo Law helps filmmakers navigate contractual, legal, and business issues so that their important films can be made and distributed. To empower creators, the FLC provides individual client representation, educational services, “know your rights” trainings for community partners and pop-up legal clinics.

Client films have screened in leading U.S. and international film festivals including Cannes, Sundance, Berlinale, South by Southwest, Rotterdam, New Directors/New Films, the Tribeca Film Festival, the International Documentary Film Festival Amsterdam (IDFA), the Los Angeles Film Festival, Hot Docs, DOC NYC and more.

Make Your Work

Don’t miss this opportunity to get legal advice for your project from the knowledgeable team at the Filmmakers Legal Clinic.

If you’re interested in participating in this event, please RSVP (and complete the form) by April 15th. There are a limited number of meeting times available.

This event is for BTFC Members Only. 

**Members, don’t forget to get use your SPECIAL CODE to access your ticket!* If you need your code, please email [email protected]! 

Interested in becoming a member of the BTFC? Visit www.blacktvfilmcollective.org/join!

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The BTFC Presents Legal Agreements for Film by The Filmmakers Legal Clinic

On Tuesday, March 8th at 4:00PM PT | 7:00PM ET, The Black TV & Film Collective and The Filmmakers Legal Clinic by Cardozo’s School Law for a conversation on Legal Agreements for Film.

Whether you’re an actor, writer, producer or director – creativity is vital in the entertainment industry! But, did you know that understanding the business of filmmaking is just as critical?

Join the BTFC in our ongoing partnership with the Filmmakers Legal Clinic at Cardozo’s School of Law as we talk about legal agreements for film! Learn about the legal intricacies to understand that can help YOU and your project not get caught up in legal red tape or caught in agreements that don’t serve you!

FLC will be reviewing how to read a film contract – focusing on common terms in the most common service agreements, typical major terms in any contract and what they mean, what boilerplate language is and its importance. There will be a Q & A so bring any questions you have about legal agreements!

Filmmakers Legal Clinic

The Filmmakers Legal Clinic (FLC) at Cardozo Law, formerly known as the Indie Film Clinic, provides free transactional, intellectual property, and First Amendment legal services to visual advocates, filmmakers and video journalists working to move the social justice needle and diversify the stories that are told through media.

Cardozo Law helps filmmakers navigate contractual, legal, and business issues so that their important films can be made and distributed. To empower creators, the FLC provides individual client representation, educational services, “know your rights” trainings for community partners and pop-up legal clinics.

Client films have screened in leading U.S. and international film festivals including Cannes, Sundance, Berlinale, South by Southwest, Rotterdam, New Directors/New Films, the Tribeca Film Festival, the International Documentary Film Festival Amsterdam (IDFA), the Los Angeles Film Festival, Hot Docs, DOC NYC and more.

Make Your Work

This conversation is for anyone involved in the TV and Film industry! Don’t miss this opportunity to work smarter not harder and meet the knowledgeable team from the Filmmakers Legal Clinic.

Interested in becoming a member? Sign up for our BTFC Membership!

Members, use your code for your discount!

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Community Conversations Obama: In Pursuit of a More Perfect Union (Day 1)

On Wed. February 16th at 4:30 PM PT | 7:30 PM ET, join us for a FREE virtual conversation on activism in the Black community centered around HBO documentary series Obama: In Pursuit of a More Perfect Union.

You will be provided with a link to screen the docu-series in advance. Then we’ll gather for a conversation featuring Kerry Croft (Founder, The Vitamin M Box),Jaquial Durham (CEO, The Public Culture) and Shani Bellegarde as we delve into the impact of activism on our communities.  

The Obama Docu-Series

HBO’s three-part documentary chronicles the personal and political journey of President Barack Obama, as the country grapples with its racial history. Weaving together conversations with colleagues, friends and critics, and interspersed with his own speeches and news interviews, the series begins with Obama’s childhood and takes us through his perspective as the son of a white mother from Kansas and an African father, his spiritual formation by a generation of Black leaders, and his hopes for a more inclusive America.

Through the story of one man irrevocably bound to the history of a country, OBAMA: IN PURSUIT OF A MORE PERFECT UNION reflects on the country’s past and present national identity.

Special Guests

Kerry Croft was born in Kingston, Jamaica but raised in the south in Richmond, Va. She received her B.A in Fashion Merchandising and was working in the corporate fashion industry as Sr. Merchandiser for a licensing company where she developed Kenneth Cole Reaction Men’s Tailored Suitings. This contributed to the brand being the top earning multimillion dollar brand for the company. Using her keen eye for detail and merchandising background, Kerry wanted to branch out and start her own business that expressed her love of her community.

Kerry wanted to create not only an awareness for her customer base, but a new way for them to shop up and coming Black owned brands through her monthly subscription box service, The Vitamin M Box. Kerry is dedicated to making a lasting difference and to consistently innovate the talent discovery experience through uniquely curated platforms to shed a positive light on Black owned businesses and the importance of buying Black and pouring back into our communities.

Jaquial Durham is an entrepreneur, community organizer, and creative producer.⁠ As a creative producer and CEO of Public Culture Entertainment (@thepublicculture), Durham has developed a talent for including his passions at the center of his work. ⁠

Most recently, Jaquial was admitted into Clemson University doctoral program to produce his second documentary about the Black history and culture of Clemson and Clemson University, which is his hometown. ⁠To further ensure that Black culture is centered Jaquial has created Public Culture Collections, which is an historical archival clothing brand in collaboration with colleges and universities at predominantly white institutions (PWIs) located in small, Black communities.

Shani Bellegarde is a native Brooklynite with Haitian roots and a Digital Content Creator and Social Media Strategist for smaller brands and businesses. Shani started her career as an Analyst and Project Management Specialist for “Top 10” investment banks for a decade. In 2017, personal tragedy led to her leaving the financial industry to pursue a career as a Full Spectrum doula. Specifically supporting and advocating for Black birthing parents and families.

The pandemic forced Shani to shift in unexpected ways. Unable to interact with people and babies, she resorted to creating humorous content on Instagram. Shani is a graduate of Lafayette College where she obtained a BA in Government & Law. She’s able to marry her education and vast experiences in support of one theme: to advocate and amplify the voices of the Diaspora.

Be the Change

Nina Simone said it best, “an artist duty is to reflect the times”. Although much progress has been made, thanks to the hard work and dedication of our ancestors, there is still work to be done. This discussion will seek to explore themes within the documentary series and how we can bring change into our communities and is an opportunity to examine how we can be the change we want to see in the world. 

The Black TV & Film Collective continues to fulfill its mission – to provide opportunities for Black and African descent artists to achieve economically sustainable careers in all areas of content creation. 

 

 

 

Interested in becoming a member? Sign up for our BTFC Membership!

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Online Work Date

01/12/2021

7:00pm – 9:00pm

Join us for an Online Work Date. What exactly does this mean, you ask? It means you bring your scripts, your program apps, your to do lists– really, anything you have that needs to get done…because it’s a WORK date.  Also, should attendees wish to spend some time table reading pages, that can happen too!

“You can always edit a bad page. You can’t edit a blank page.”

― Jodi Picoult

Sometimes as artists, we make procrastination our best friend and easily become professional self-sabotagers. Working and writing doesn’t have to be a solitary task. Join other writers,  scribes and scribblers from the Black TV & Film Collective and create more pages on your web series, narrative films or short screenplays.

Open your laptop, bring your pen, pencil, paper, or whatever writing tool suits you. Make sure your batteries are charged, literally and figuratively!

We feel you, writing / working on our projects can be a lonely and arduous endeavor. So help ease the difficulty of bringing ideas to life by committing to a person, date, and time and most importantly pen to paper. Making an online work date to work with other artists will help you stay on task with your projects.

Like this event? Then go ahead, check out other upcoming events and member opportunities.

This event is moderated by BTFC Board Member, Letitia Guillory.

About Letitia

LETITIA GUILLORY is a multi-hyphenate creative whose works spans, theatre, film and episodic content.

Her work has been presented at PS 122, Lincoln Center, O’Neill Playwrights Conference, BRIC Media Arts among others.

She produced the award-winning short comedy, Pas Honteux (REVOLT TV) and the powerful LGBTQ short Winston. Letitia’s writing credits include the plays: The Further Adventures of Gussie Mae in America, MAE and THE (beginning of the End), Crawfish Tales, RED and 8:42 (Austin Film Festival Second Rounder); screenplays: Hound Dog (Oaxaca Film Festival Global Script Competition Finalist), Grace, The Last Time, Lights Out and Shanghai ’37; and the teleplays: Parish, gATES (Second Rounder Austin Film Festival, Semifinalist Screencraft TV Pilot Launch) and Salvation.

A proud alum of the University of Texas (BFA, Drama) and New York University (MA, Performance Studies), Letitia remains inspired and grateful.

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Online Work Dates

Every Week Tuesday Night in February

7:00pm – 9:00pm

Join us for an Online Work Date. What exactly does this mean, you ask? It means you bring your scripts, your program apps, your to do lists– really, anything you have that needs to get done…because it’s a WORK date.  Also, should attendees wish to spend some time table reading pages, that can happen too!

“You can always edit a bad page. You can’t edit a blank page.”

― Jodi Picoult

Sometimes as artists, we make procrastination our best friend and easily become professional self-sabotagers. Working and writing doesn’t have to be a solitary task. Join other writers,  scribes and scribblers from the Black TV & Film Collective and create more pages on your web series, narrative films or short screenplays.

Open your laptop, bring your pen, pencil, paper, or whatever writing tool suits you. Make sure your batteries are charged, literally and figuratively!

We feel you, writing / working on our projects can be a lonely and arduous endeavor. So help ease the difficulty of bringing ideas to life by committing to a person, date, and time and most importantly pen to paper. Making an online work date to work with other artists will help you stay on task with your projects.

Like this event? Then go ahead, check out other upcoming events and member opportunities.

This event is moderated by BTFC Board Member, Letitia Guillory.

About Letitia

LETITIA GUILLORY is a multi-hyphenate creative whose works spans, theatre, film and episodic content.

Her work has been presented at PS 122, Lincoln Center, O’Neill Playwrights Conference, BRIC Media Arts among others.

She produced the award-winning short comedy, Pas Honteux (REVOLT TV) and the powerful LGBTQ short Winston. Letitia’s writing credits include the plays: The Further Adventures of Gussie Mae in America, MAE and THE (beginning of the End), Crawfish Tales, RED and 8:42 (Austin Film Festival Second Rounder); screenplays: Hound Dog (Oaxaca Film Festival Global Script Competition Finalist), Grace, The Last Time, Lights Out and Shanghai ’37; and the teleplays: Parish, gATES (Second Rounder Austin Film Festival, Semifinalist Screencraft TV Pilot Launch) and Salvation.

A proud alum of the University of Texas (BFA, Drama) and New York University (MA, Performance Studies), Letitia remains inspired and grateful.

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BTFC Online Work Dates

**Non-BTFC Members are also welcome! RSVP through Eventbrite here.**

BTFC ONLINE WORK DATES: Every Monday night starting June 14th – August 2nd!

7:00pm – 9:00pm

Join us for our BTFC Online Work Dates. What exactly does this mean, you ask? It means you bring your scripts, your program apps, your to-do lists– really, anything you have that needs to get done…because it’s a WORK date.  Also, should attendees wish to spend some timetable reading pages, that can happen too!

“You can always edit a bad page. You can’t edit a blank page.”

― Jodi Picoult

Sometimes as artists, we make procrastination our best friend and easily become professional self-sabotagers. Working and writing don’t have to be solitary task. Join other writers,  scribes, and scribblers from the Black TV & Film Collective and create more pages on your web series, narrative films, or short screenplays.

Open your laptop, bring your pen, pencil, paper, or whatever writing tool suits you. Make sure your batteries are charged, literally and figuratively!

We feel you, writing / working on our projects can be a lonely and arduous endeavor. So help ease the difficulty of bringing ideas to life by committing to a person, date, and time and most importantly pen to paper. Making an online work date to work with other artists will help you stay on task with your projects.

**Non-BTFC Members are welcome – reserve your ticket here.

Like this event? Then go ahead, check out other upcoming events and member opportunities.

This event is moderated by BTFC Board Member, Letitia Guillory.

About Letitia

 

LETITIA GUILLORY is a multi-hyphenate creative whose works span, theatre, film, and episodic content.

Her work has been presented at PS 122, Lincoln Center, O’Neill Playwrights Conference, BRIC Media Arts among others.

She produced the award-winning short comedy, Pas Honteux (REVOLT TV) and the powerful LGBTQ short Winston. Letitia’s writing credits include the plays: The Further Adventures of Gussie Mae in America, MAE and THE (beginning of the End), Crawfish Tales, RED and 8:42 (Austin Film Festival Second Rounder); screenplays: Hound Dog (Oaxaca Film Festival Global Script Competition Finalist), Grace, The Last Time, Lights Out and Shanghai ’37; and the teleplays: Parish, gATES (Second Rounder Austin Film Festival, Semifinalist Screencraft TV Pilot Launch) and Salvation.

A proud alum of the University of Texas (BFA, Drama) and New York University (MA, Performance Studies), Letitia remains inspired and grateful. Learn more about Letitia here.